![]() The photograph shows all four Eagles, along with Jackson Browne and JD Souther, posing dead and bound on the ground as a posse stands over them. Gary Burden drew the band as outlaws for the front cover, and photographer Henry Diltz, who also did the lettering for the sleeve, created a re-enactment of the capture of The Dalton Gang for the back image. Illustrator: Beatien Yazz | Photographer: Henry Diltz | Art director: Gary Burdenĭesperado’s powerful artwork was in keeping with the cowboy theme of the album. I always have felt good that millions of people who bought or saw this Eagles album cover, who never would have been exposed to this wonderful Navajo art otherwise, got to see it and hold it in their hands.” If so, it must have come as a surprise, money out of the blue. The record company sent a sizable check to the artist, and we never heard if he got it or not. “When I tracked Yazz down,” Burden continued, “the best I could find was that he picked up his mail at a trading post on the Navajo reservation. “When it came time to create the artwork for On The Border, I pulled out this piece of art and everyone agreed that it would be perfect. ![]() I just thought it was a beautiful thing,” he explained. “I did not know it was an original painting or who the artist was. Yazz’s painting had been bought at a yard sale by Gary Burden, for a quarter of a dollar, and the art director felt it would fit one of his Eagles album covers. On The Border, which was eventually certified double-platinum with sales of more than two million copies, featured a striking cover illustration by renowned Navajo artist Beatien Yazz, and a typeface created especially for the album by Rick Griffin. Photographers: Aaron Rapoport, Henry Diltz, Jeffrey Mayer, Brad Elterman, Rick Diamond, Dave Harpie | Designer: John Kosh The cover photograph was taken by Aaron Rapoport, who also shot the front image for the Supertramp album Breakfast In America. The artwork was created by Kosh – a graphic designer from London who made his name with work for the Royal Ballet and Royal Opera House before becoming creative director of The Beatles’ 1969 album, Abbey Road. The record labels showed a picture of a bird’s nest filled with eggs and hand grenades. Standing out among Eagles’ album covers, the artwork hinted at both closure and problems, with the image of a flight case bearing the number “86” on both sides (if something is “86’ed”, it is no longer available) and the letters “MIA” (“missing in action”) on the rear, in the style of an air-freight sticker. The double-vinyl Eagles Live, released in November 1980 as Eagles’ first live record, came at time when the band were already in the process of breaking up. Photographers: Jim Shea, Jann Zlotkin | Designer: John Kosh The photographs of band members Henley, Schmit, Glenn Frey and Joe Walsh on the inside of the gatefold sleeve were taken by Manhattan-born photographer Jim Shea. He is posed behind a soundboard with a note saying “Hi Mom”, in a snap taken by Jann Zlotkin. Producer Bill Szymczyk appears in a photograph on the back cover. ![]() The original vinyl pressings of The Long Run continued the band’s long-running in-joke of having text engraved in the run-out grooves of each side (“Never let your monster lay down” was on Side One). ![]() “We were physically, emotionally, spiritually and creatively exhausted,” Don Henley told Rolling Stone magazine in 2016. The artwork for their 1979 album, The Long Run, an unadorned design by John Kosh – usually known simply as Kosh – featuring four words in white on a black background, is unusual among Eagles album covers and reflected the band’s dark mood at the time. Their Irving Azoff, whom the band joked had the job of keeping them out of prison, has talked openly about their “debauched” lifestyles. The late 70s were a difficult time for Eagles. She is a pretty good singer, too.” Live From The Forum MMXVIII was the first Eagles album to feature new band members Deacon Frey (song of Glenn) and Vince Gill, alongside Don Henley, Joe Walsh and Timothy B Schmit.Īrt directors: Jeri Heiden and Ryan Corey “She was vice-president of Warner Bros’ creative department when she was still in her 20s. “Her approach to graphics is almost scientific,” said lang. Both were experienced graphic designers: Corey had been art director for Guns N’ Roses’ Chinese Democracy album and Heiden had worked with numerous musicians, including k.d. For the sleeve, art directors Jeri Heiden and Ryan Corey decided to use an image of the stadium, with the band’s name emblazoned on architect Charles Luckman’s building. Eagles were there to record a live album and concert film, later released in October 2020. In 2018, Eagles played three nights at The Forum, a groundbreaking indoor arena in Inglewood, California, that had once been home to the Los Angeles Lakers basketball team.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |